Friday, August 31, 2007

My first repost...

...and it is because I am too damn upset and unhappy to tell you why it fits my mood tonight, except to say I have been having a discussion with a friend who is far wiser and far more realistic than I am. He essentially has made it clear -- as has much other evidence -- that I need to ditch some basic beliefs and desires pronto if I am to survive.

Enough of that. Here's a "blast from the past," with only a few minor emendations and corrections:

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For some reason, I've been thinking about one of my favorite movies. It's a black-and-white epic written and directed by the brilliant and sly Russ Meyer, who has too long been dismissed as nothing more than a maker of porn films by those who have never watched any of them. There is a level of humor, insight into the complex psychology of the sexes and social commentary in all of Meyer's movies that escapes those mesmerized by the sight of heaving female flesh.

PARENTHETICAL NOTE FROM TODAY: In fact, Meyer seems to have had a better understanding of the rare and wonderful status women have than most men do. He understood, as I didn't and still do not, that the rule book of life stretches to accommodate women, and shrinks for men. Women have a freedom to hurt men forever denied to men who hurt women. We are insensitive dogs; they are "doing whatt's best for themselves."

In 1965 (the same year when three other Meyer productions (Mondo Topless, Mud Honey and Motor Psycho) were released), he made the classic Faster, Pussycat! Kill! Kill!, a film almost impossible to describe. The authoritative online film guide IMDB.com couldn't manage, and even Meyer's own synopsis ("The story of a new breed of superwomen emerging out of the ruthlessness of our times. We are introduced to three buxom Go-Go girls: Varla, Rosie, and Billie, wildly dancing the Watusi before the leers, jeers and lecherous come-ons of their drooling all-male audience. The violence, implicit in the girls' tease, is quickly moved out of the microcosmic bar into the outside world as they literally let go of themselves, embarking on a wild, violent, deadly journey of vengeance on all men.") doesn't tell the whole story.

And neither will I. One part of the film has always struck close to home: the relationship between the murderous, self-absorbed and (to use a classic Meyer-ism) buxotic "Varla" and pathetic loser "Kirk." While trying to find the fortune hidden away by his crippled (and demented) father in their isolated desert home, Varla first seduces and then tries to kill Kirk...



When Varla asks why Kirk insists on sticking around ever after her destructive intentions are clear, he utters the words that might as well be etched on my gravestone:

"Because you're a beautiful animal, and I'm weak...I want you."

In the end, Varla is vanquished and Kirk survives, but it's clearly a hollow victory for him. One knows instinctively that he will spend the rest of his miserable, lonely existence mourning Varla.

This is something most women, and a few men, don't understand: whether the instrument of seduction is a stunning body or what seems to be a sweet, loving personality, there are a lot of men who will risk everything and, in essence, ignore reality, for a woman who has penetrated their hearts.

It's not all sex in many cases, though I wonder what else might have drawn Kirk to Varla's flame.

My own "Varla" -- who should have had the name of one of the other female leads -- is not possessed of Tura Satana's more visible assets. Nor, so far as I know, does she have a penchant for violence and dispensing weak men with karate chops. I consider it unlikely, probably impossible, for her to end up crushed under the wheels of a Jeep as Varla did, either. On the contrary, I think she will survive and thrive. Her weapons are far more subtle, if no less dangerous to the male of the species.

Regardless of what she has done since dispensing with me, I can repeat Kirk's words, and mean them:

You're a beautiful animal, and I'm weak...I want you.

Sometimes, I wish I was more like "Martin Bormann" in Meyer's Beneath the Valley of the Ultravixens, satisfied with a quick romp in a casket with the even-more buxotic "Eufala Roop."

But I'm not. And I miss the "beautiful animal" who once claimed to be mine....

How I wish Russ Meyer could have directed my life!

13 comments:

susananne said...

My wish is that one day you will meet a lady who will make you forget all this hurt. There is someone out there , of that am sure.Sending you a big hug and one from G ( who has had me up since 5am!)

Justfly said...

Wouldn't that be great if we all had a great director directing our lives?!

Anonymous said...

No comment...
;-)

Woofster

wagner said...

funny that you mention that. i was just watching deathproof last night and dre said he thinks it's supposed to be like that film. hmm...i still think deathproof just sucked though.

MrScribbler said...

waglet -- I've never even heard of "Deathproof." Difficult for me to imagine that it would have the panache and sheer off-the-wall strangeness that Russ included in his films.

DAL said...

I have a much deeper understanding of your feelings, my friend. It is like what Mario Puzo called "the thunderbolt" (where Michael Corleone falls in love while in hiding) in The Godfather, but it just keeps zapping you, and it is impossible to disconnect.

Russ Meyer also made "The Seven Minutes" with 20th Century Fox, and it was awful, even if you didn't read Irving Wallace's book. He was out of his milieu.

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